Performances:  Air for Flugelhorn and Organ.  Performed by:  Colby Cooman, flugelhorn; Carson Cooman, organ.  Dates and Locations:

Performance: The Nine Orders of the Angels. Date of Performance: 12 March 2004. Commissioned and Performed by Tapestry (Laurie Monahan, Director). Location: Healdsburg, CA.

Performance: The Nine Orders of the Angels. Date of Performance: 14 March 2004. Commissioned and Performed by Tapestry (Laurie Monahan, Director). Location: Tucson, AZ.

2 0 0 3 

Performance: Three Ben Franklin Dances. Date of Performance: November 20, 2003. Performed by The National Philharmony of the Republic of Moldova, Chisinau Concert, Charles Ansbacher, Conductor. Location: Chisinau, Republic of Moldova.

Performance: Three Ben Franklin Dances. Date of Performance: November 14, 2003. Performed by The Odessa Philharmonic, Charles Ansbacher, Conductor. Location: Odessa, Ukraine.

Performance: Three Ben Franklin Dances. Date of Performance: October 2, 2003. Performed by The Bishkek and Chui Chamber Orchestra, Charles Ansbacher, Conductor. Location: Bishkek, Kyrgyzstan.

Premieres: Three Ben Franklin Dances and May We Live in Peace. Dates of Performances: August 16-24 2003. Commissioned by: The American Composers Forum Boston, and The Boston Landmarks Orchestra, Charles Ansbacher, Conductor, in Collaboration with The City of Boston Parks and Recreation ParkARTS Program in the Emerald Necklace Commissioning Project, to honor Franklin Park. Performed by: The Boston Landmarks Orchestra, and Leah Hunt, Jonita Lattimore, and Deborah Fields, sopranos. Locations and Dates: 

16 August 2003, 8:00 pm
The Boston Common Parade Ground

17 August 2003, 6:00 pm
Franklin Park, Roxbury

20 August 2003, 7:00 pm
Rogers Center for the Arts, North Andover

21 August 2003, 7:30 pm
Mechanics Hall, Worcester

22 August 2003, 6:00 pm
The Tabernacle, Martha's Vineyard

24 August 2003 6:00 pm
Piers Park, East Boston

Performances: The Nine Orders of the Angels. Dates of Performances: 20-22 May 2003. Commissioned and Performed by: Tapestry, Laurie Monahan, Director. Location: Hanover, Germany. 

Performances: Cor meum est templum sacrum (2001). Performed by: Chanticleer, Joseph Jennings, Artistic Director. Dates and Locations: 

7 May 2003 
First Congregational Church, Berkeley, CA. 
6 May 2003 
St. Joseph's Cathedral, San Jose, CA. 
5 May 2003 
Carmel Mission, Carmel, CA. 
1 May 2003 
Grace Cathedral, San Francisco, CA. 
30 April 2003 
Grace Cathedral, San Francisco, CA. 

Premiere: Domine exaudis orationem meam. Date of Premiere: 5 April 2003. Commissioned and Performed by: The Choir of First Church in Cambridge, Congregational, Peter Sykes, Director. Location, Cambridge, MA. 

2 0 0 2 

Premiere: De Ave Phoenice (The Phoenix). Date of Performance: 26 November 2002. Commissioned by: The Boston Athenaeum. Performed by: Ellen Hargis, soprano; Sanford Sylvan, baritone; Peter Sykes, harpsichord; Julianne Verret, oboe/English horn; Jane Harrison, oboe/English horn; Anne Black, violin/viola; and Emily Walhout, cello. Location: The Boston Athenaeum. 

Performance: Grace. Date of Performance: 10 November 2002. Commissioned and Performed by: The Choir of First Church in Cambridge, Peter Sykes, Director. Location: First Church in Cambridge, Massachusetts. 

Performance: The Nine Orders of the Angels, Movements I, II, III. Date of Performance: 11 September 2002. Commissioned and Performed by: Tapestry, Laurie Monahan, Director. Live broadcast, WGBH (NPR) Radio to commemorate 9/11. The Nine Orders also used as NPR advertisement for day-long 9/ll commemoration. 

Performance: In oculis Dei. Date of Performance: 13 October 2002. Commissioned and Performed by: The Choir of First Church in Cambridge, Peter Sykes, Director. Location: First Church in Cambridge, Massachusetts. 

Premiere and Performances: Benediction (For I am certain that neither death, nor life, nor angels, nor principalities...). Dates of Performances: 9 September – 24 November 2002. Commissioned and Performed by: The Choir of First Church in Cambridge, Peter Sykes, Director. Location: First Church in Cambridge, Massachusetts. 

Performance: An Evening of Choreography by Julie Ince Thompson, Set to the Music of Patricia Van Ness. Date of Performance: 25 January 2002. Location: Boston Conservatory. 

2 0 0 1 

Premiere: CNN piece on the music of Patricia Van Ness, featuring In oculis Dei (In the Eyes of God) performed by Coro Allegro (David Hodgkins, Director). Date: Scheduled Christmas 2001, airing internationally. 

Performance: Magnificat. Date of Performance: 23 December 2001, 11:00 am service. Commissioned and Performed by: The Choir of First Church in Cambridge, Peter Sykes, Director. Location: First Church in Cambridge, Massachusetts. 

Premiere and Performances: Amen. Date of Performances: Fall 2001, 9 September through 25 November (choral response). Commissioned by First Church in Cambridge. Performed by: The Choir of First Church in Cambridge, Peter Sykes, Music Director. Location: First Church in Cambridge, Massachusetts. 

Premiere: Red Sox Forever and Ever (Rosea Soleae semper ad aeternum). Date of Performance: Fall 2001. Commissioned by Perry King Neubauer. Performed by: Susan Sheriff Neubauer, soprano; Benjamin Neubauer, viola; Perry King Neubauer, cello. Location: private performance, closed to the public. 

Performance: Populus qui ambulabat in tenebris (The People Who Walked in Darkness Have Seen a Great Light). Date of Performance: 5 August 2001, 10:00 a.m. service. Performed by: Recuerdo, Lolly Robinson, Director. Location: Christ Church in Cambridge, Zero Garden Street. 

Premiere: Amor meus tibi ex sepulcro vacuo effundit. Date of Performance: 15 April 2001. Co-Commissioned and Performed by: The Choir of First Church in Cambridge, MA, Peter Sykes, Director. Location: First Church in Cambridge. 

Premiere: Amor meus tibi ex sepulcro vacuo effundit. Date of Performance: 15 April 2001. Co-Commissioned and Performed by: The Choir of Trinitarian Congregational Church, Victoria Wagner, Director. Location: Concord, MA. 

Performance: Cor meum est templum sacrum. Date of Performance: 22 February 2001. Commissioned and Performed by: The Choir of First Church in Cambridge, MA., Peter Sykes, Director. Location: First Church in Cambridge. 

Performance: The Voice of the Tenth Muse. Date of Performance: 11 February 2001. Commissioned and Performed by: Coro Allegro (David Hodgkins, Director). Location: Boston. 

Performance: Air; Advent; Mooncalf's Ditty; The Sleepwalker; Movements 7 and 4, Nine Orders of the Angels. Date of Performance: 19 January 2001. Choreographed by Julie Ince Thompson for FleetBoston Celebrity Series, Tsai Performance Center; Location: Boston. 

Premiere: Cor meum est templum sacrum (2001). Date of Performance: 20 January 2001. Commissioned and Performed by: The Choir of First Church in Cambridge, MA., Peter Sykes, Director. Location: First Church in Cambridge. 

Performance: Et factum est. Date of Performance: 7 January 2001, to celebrate the installation of Dr. J. Mary Luti as Senior Minister of First Church in Cambridge. Commissioned and Performed by: The Choir of First Church in Cambridge, MA., Peter Sykes, Director. Location: First Church in Cambridge. 

Premiere: Et factum est. Date of Performance: 7 January 2001, 11:00 a.m. service. Commissioned and Performed by: The Choir of First Church in Cambridge, MA., Peter Sykes, Director. Location: First Church in Cambridge. 

2 0 0 0 

Performance: The Nine Orders of the Angels. Date of Performance: 23 December 2000. Commissioned and Performed by: Tapestry (Laurie Monahan, Director). Location: Fuiggi, Italy (Millennium Celebration). 

Performance: The Nine Orders of the Angels. Date of Performance: 22 December 2000. Commissioned and Performed by: Tapestry (Laurie Monahan, Director). Location: Rome, Italy (Millennium Celebration). 

Performance: Populus qui ambulabat in tenebris. Date of Performance: 7 October 2000, for the wedding of PV and Peter Marks. Commissioned and Performed by: The Choir of First Church in Cambridge, Peter Sykes, Director. Location: First Church in Cambridge. 

Performance: Air. Date of Performance: 7 October 2000, for the wedding of PV and Peter Marks. Commissioned and Performed by: Robinson Pyle and Peter Sykes. Location: First Church in Cambridge. 

Performance: The Nine Orders of the Angels. Date of Performance: 5 October 2000. Commissioned and Performed by: Tapestry (Laurie Monahan, Director). Location: Columbus, Georgia, USA. 

Performance: The Nine Orders of the Angels. Date of Performance: 2 October 2000. Commissioned and Performed by: Tapestry (Laurie Monahan, Director). Location: Rome, Georgia, USA. 

Premiere: Nocturnes. Date of Premiere: 20 and 21 May 2000. Commissioned and Performed by: Newton Choral Society, David Carrier, Director (in commemoration of David Carrier’s 20th Year as Director). Location: Newton, MA 

1 9 9 9 

Premiere: The Erminia and Tu Risa. Date of Premiere: 12 October 1999. Commissioned and Performed by: Ellen Hargis and Peter Sykes. Location: Kings Chapel, Boston (in conjunction with The Boston Athenaeum). 

Premiere: Amissus. Date of premiere: 16 May 1999. Commissioned and Performed by: Trinity Episcopal Choir, Wayne Petersen, Director. Location: Fort Wayne, Indiana. 

Performance: Movement II, Advent. Date of Performance: 17 April 1999. Performed by Wellesley College Choir, Brian Hulse Director. Location: Houghton Chapel, Wellesley College. 

Premiere: Grace. Date of Premiere: 4 April 1999. Performed and Commissioned by: The Choir of First Church in Cambridge, Peter Sykes, Director. Location: Cambridge, MA. 

Performance: Maundy Thursday. Date of Performance: 1 April 1999. Performed by The Choir of First Church in Cambridge, Peter Sykes, Director. Location: Cambridge, MA. 

Performance: In oculis Dei. Date of Performance: 9 March 1999. Performed by: The Chapel Choir of College of the Holy Cross, Andrea Goodrich, Director. Location: The Basilica of St. Francis, Assisi, Italy. 

Performance: In oculis Dei. Date of Performance: 7 March 1999. Performed by: The Chapel Choir of College of the Holy Cross, Andrea Goodrich, Director. Location: St. Peter's Cathedral, The Vatican, Italy. 

Performance: In oculis Dei. Date of Performance: 7 March 1999. Performed by: The Chapel Choir of College of the Holy Cross, Andrea Goodrich, Director. Location: St. Ignazio's Church, Rome. 

Performance: Cor mei Cordis/Heart of my Heart. (First Prize, His Majestie's Clerkes Choral Composition Competition, 1997). Date of performance: 20 February 1999. Performed by: His Majestie's Clerkes, Anne H. Heider, Artistic Director. Location: Evanston, Illinois. 

Performance: Cor mei Cordis/Heart of my Heart. (First Prize, His Majestie's Clerkes Choral Composition Competition, 1997). Date of performance: 27 February 1999. Performed by: His Majestie's Clerkes, Anne H. Heider, Artistic Director. Location: Illinois Benedictine University, Lyle, Illinois. 

Performance: Cor mei Cordis/Heart of my Heart. (First Prize, His Majestie's Clerkes Choral Composition Competition, 1997). Date of performance: 28 February 1999. Performed by: His Majestie's Clerkes, Anne H. Heider, Artistic Director. Location: Quigley Seminary Chapel, Chicago. 

1 9 9 8 

Performance: Magnificat. Date of Performance: 31 December 1998. Performed by: Ruth Cunningham, soprano (formerly of Anonymous 4). Location: Johnston, New York. 

Premiere: Air. Date of Performance: 13 December 1998. Commissioned and Performed by: Robinson Pyle (flugelhorn) and Peter Sykes (organ). Location: First Church in Cambridge, Cambridge, MA. 

Performance: In oculis Dei. Date of Performance: 13 December 1998. Performed by: The Choir of First Church in Cambridge, Peter Sykes, Director. Location: Cambridge. 

Performance: Advent. Date of Performance: 13 December 1998. Performed by: The Choir of First Church in Cambridge, Peter Sykes, Director. Location: Cambridge. 

Performance: The Voice of the Tenth Muse. Date of Performance: 22 November 1998. Commissioned and Performed by: Coro Allegro, David Hodgkins, Director. Location: Church of the Covenant, Boston. 

Performance: The Voice of the Tenth Muse. Date of Performance: 21 November 1998. Commissioned and Performed by: Coro Allegro, David Hodgkins, Director. Location: First Church in Cambridge, MA. 

Premiere: The Voice of the Tenth Muse. Date of Performance: 15 November 1998. Commissioned and Performed by: Coro Allegro, David Hodgkins, Director. Location: Bowker Auditorium, University of Massachusetts, Amherst, MA 

Performance: In oculis Dei. Date of Performance: 13 November 1998. Performed by: Chapel Choir of the College of the Holy Cross, Andrea Goodrich, Director. Location: St. Theresa Church, Sherborn, MA 

Performance: In oculis Dei. Date of Performance: 8 November 1998. Performed by: Chapel Choir of the College of the Holy Cross, Andrea Goodrich, Director. Location: College of the Holy Cross, Worcester, MA 

Performance: In oculis Dei. Date of Performance: 31 October 1998. Performed by: The Choir of St. John's Episcopal Church, Gretchen Longwell-Cooley, Director. Location, Gloucester, MA. 

Performances: Various anthems. Date of Performance: 28 October 1998. Performed by: the Choir of First Church in Cambridge (Peter Sykes, Director). Location: Cambridge, MA 

Performance: In oculis Dei. Date of Performance: 25 October 1998. Performed by: the Choir of First Church in Cambridge (Peter Sykes, Director). Location: Cambridge, MA. 

Performance: In oculis Dei. Date of Performance: 4 October 1998. Performed by: The Choir of Trinitarian Congregational Church, Victoria Wagner, Director. Location: Concord, MA. 

Performance: Ego sum Custos Angela; Movement I, The Nine Orders of the Angels. Date of Performance: 18 September 1998. Commissioned and performed by: Tapestry, Laurie Monahan, Director. Location: Musica Sacra Festival, Maastricht, Holland. 

Performance: Cor mei cordis. Date of Performance: 13 September 1998. Performed by: Chapel Choir, College of the Holy Cross, Andrea Goodrich, Director. Location: College of the Holy Cross. 

Performance: Magnificat. Date of Performance: 12 September 1998. Performed by: the Choir of First Church in Cambridge, Peter Sykes, Director (for the Memorial Service for Allen Happe). Location: Cambridge. 

Performance: Ego sum Custos Angela; Movement I, The Nine Orders of the Angels (1996; 3:15; SSAA). Date of Performance: 2 August 1998. Commissioned and performed by: Tapestry, Laurie Monahan, Director. Location: Seattle. 

Performance: Cor mei cordis. Date of Performance: 25 May 1998. Performed by: Butler University Chorale, Henry Leck, Director. Location, St. Ignazio Cathedral, Rome, Italy. 

Performance: Cor mei cordis. Date of Performance: 27 May 1998. Performed by: Butler University Chorale, Henry Leck, Director. Location, Venice, Italy. 

Performance: Cor mei cordis. Date of Performance: 28 May 1998. Performed by: Butler University Chorale, Henry Leck, Director. Location, Salzburg, Austria. 

Premiere: O infans lucis. Dates of Premiere: 2 and 3 May 1998. Commissioned and performed by: Fort Wayne Children's Choir, Ty Magsig, Director. Location: Fort Wayne, Indiana. 

Performances: Seraphim (from The Nine Orders of the Angels). Thanksgiving Music and Reaping. Dates of Performances: 24, 25, 26 April 1998. Choreographed by: Julie Ince Thompson. Recorded work, performed by composer except Heather Knutson, soprano. Location: Cambridge, MA. 

Performance: Cor mei cordis. Date of Performance: 17 April 1998. Performed by: Butler University Chorale, Henry Leck, Director. Location: Indianapolis. 

Premiere: O magna res. Date of Premiere: 17 April 1998, for the Heidelberg Music Festival, Heidelberg, Germany. Commissioned and Performed by: The Heidelberg Ensemble for New Music. Location: Heidelberg, Germany. 

Performance: The Nine Orders of the Angels. Date of performance: 20 March 1998. Performed by: Tapestry, Laurie Monahan, Director. Location: College of the Holy Cross, Worcester, MA. 

Performance: Cor mei cordis, In oculis Dei, Requies aeterna donata est. Date of Performance: 15 March 1998. Performed by: Newton Choral Society, David Carrier, Director. Location, Newton, MA. 

Performance: The Nine Orders of the Angels. Date of performance: 1 March 1998. Performed by: Tapestry, Laurie Monahan, Director. Location: Maryland. 

Performance: In oculis Dei, Maundy Thursday. Date of performance: 22 February 1998. Performed by: Coro Allegro, David Hodgkins, Director. Location: Boston. 

1 9 9 7 

Performance: Arcanae and Ego sum Custos Angela. Dates of performance: 5 December 1997. Performed by Ensemble Project Ars Nova and Tapestry. Location: First Congregational Church, Berkeley, CA. 

Performance: Arcanae and Ego sum Custos Angela. Dates of performance: 7 December 1997. Performed by Ensemble Project Ars Nova and Tapestry. Location: Westminster Presbyterian Church, Los Angeles, CA. 

Performance: Arcanae and Ego sum Custos Angela. Dates of performance: 10 December 1997. Performed by Ensemble Project Ars Nova and Tapestry. Location: Ryman Auditorium, Nashville, KY. 

Performance: Arcanae and Ego sum Custos Angela. Dates of performance: 11 December 1997. Performed by Ensemble Project Ars Nova and Tapestry. Location: The Cathedral, Louisville, KY. 

Performance: Arcanae and Ego sum Custos Angela. Dates of performance: 14 December 1997. Performed by Ensemble Project Ars Nova and Tapestry. Location: Stephens Center, Birmingham, AL. 

Performance: Arcanae and Ego sum Custos Angela. Dates of performance: 15 December 1997. Performed by Ensemble Project Ars Nova and Tapestry. Location: The Metropolitan Museum of Art, New York, NY. 

Performance: Thanksgiving Music and Reaping. Dates of Performance: 7, 8, 9 November 1997. Choreographed by: Julie Ince Thompson for Boston Conservatory. Recorded work, performed by composer except Heather Knutson, soprano. Location: Boston. 

Performance: Requies aeterna donata est. Dates of Performance: 1 November 1997. Performed by: Trinity Episcopal Church choir, Wayne Peterson, Director. Location: Fort Wayne, Indiana. 

Performance: In oculis Dei. Dates of Performance: September 1997. Performed by AGO members at Induction Service, Victoria Wagner, Director. Location: Boston. 

Premiere: Dominus pascit me. Dates of performances: Summer 1997 (24 performances). Commissioned and performed by: Village Harmony Summer Camp, Larry Gordon, Director. Location: Vermont (USA) and England. 

Performance: Music for the dance Zerkolo: Mirror (music entitled Reaping and Thanksgiving Music. Dates of Performance: August 1997. For: Beth Soll and Company. Choreographed by: Beth Soll. Recorded work, performed by composer except Heather Knutson, soprano. Location: Hong Kong. 

Performances: Music for the dance Zerkolo: Mirror (music entitled Reaping and Thanksgiving Music. Dates of Performance: 10, 11, 12, and 13 June 1997. For: Beth Soll and Company. Choreographed by: Beth Soll. Recorded work, performed by composer except Heather Knutson, soprano. Location: New York, NY. 

Performances: Music from The Wild Swans. Premiere of new ballet by Toni Pimble. Dates of Performances: 12 and 13 April, 1997 (Eugene, Oregon) and 17 and 18 April (Boise, Idaho). Presented by: Eugene Ballet, Toni Pimble, choreographer. 

Performances: Pentecost; Epiphany. Date of performance: 25 May 1997. Performed by: First Church Choir in Cambridge, Peter Sykes, Music Director. Location: Cambridge. 

Premiere: Maundy Thursday. Date of premiere: Maundy Thursday, 27 March 1997. Commissioned and performed by: First Church Choir in Cambridge, Peter Sykes, Music Director. Location: Cambridge. 

Performance: Excerpts from Cor mei Cordis/Heart of my Heart. Date of performance: 22 March 1997. Performed by: Coro Allegro, David Hodgkins, Director. Location: Jordon Hall, Boston. 

Performance: Cor mei cordis/Heart of My Heart. Date of performance: 23 February 1997. Performed by: Coro Allegro, David Hodgkins, Director. Location: Church of the Covenant, Boston. 

Premiere: Epiphany. Date of Performance: 6 January 1997. Performed by: Choir of First Church in Cambridge (Peter Sykes, Music Director). Location: Cambridge. 

1 9 9 6 

Premiere: Magnificat. Date of Performance: 22 December 1996. Performed by Choir of First Church in Cambridge. Location: Cambridge. 

Performance: Requies aeterna donata est. Date of performance: 24 November 1996. Performed by: Choir of First Church in Cambridge. Location: Cambridge. 

Premiere: In oculis Dei. Date of Premiere: 6 October 1996. Performed by: First Church in Cambridge Choir (Peter Sykes, music director). Location: Cambridge, MA. 

Premieres: Cor mei cordis/Heart of my Heart. Date of Premiere: 5 and 6 October 1996. Performed by: Schola Cantorum of Boston. Locations: Church of the Advent, Boston, and Harvard Epworth Church, Cambridge. 

Performances: "Benedicas," "In Confinio Maris," "Altissima" and "Amen" from Evensong. 28 and 29 September 1996. Performed by: Daniel McCabe, baritone; Frances Conover Fitch, harpsichord and organ; Olav Chris Henricksen, lute, therobo and 19th century guitar; and Carol Lewis, viola da gamba. Location: Cambridge and Topsfield, MA. 

Performance: "Michael, Seraphim" from The Nine Orders of the Angels for a Julie Ince Thompson dance premiere. Date of Performance: 20 June 1996. Performed by: Julie Ince Thompson. Location: Newburyport, MA. 

Premiere: Pentecost. Date of performance: 26 May 1996. Performed by: Choir, First Church in Cambridge, Peter Sykes, Music Director. Location, Cambridge, MA. 

Premiere: The Nine Orders of the Angels. Date of performance: 22 March 1996. Performed by: Tapestry, Laurie Monahan, Director. Location: First Church Congregational, Cambridge, MA. 

Premiere: Arcanae. Performance at same concert: Ego sum Custos Angela. Date of performance: 24 February 1996. Commissioned and Performed by Ensemble Project Ars Nova. Location: First Church in Cambridge, Congregational, Cambridge, MA. 

Performances: "Benedicas," "In Confinio Maris," "Altissima" and "Amen" from Evensng. 29 September 1995 and 21 January 1996. Performed by: Daniel McCabe, baritone. Locations: Buffalo, New York and Topsfield, MA. 

1 9 9 5 

Premiere: Ego Sum Custos Angela. Date of performance: 29 October 1995. Commissioned and Performed by Laurie Monahan, Tapestry. Location: First Church Congregational, Cambridge, MA. 

Premiere: Ego Sum Custos Angela. Date of performance: 27 October 1995. Commissioned and Performed by Laurie Monahan, Tapestry. Location: Topsfield Episcopal Church, Topsfield, MA. 

Premiere: Ego Sum Custos Angela. Date of performance: 21 October 1995. Commissioned and Performed by Laurie Monahan, Tapestry. Location: St. Martins Episcopal in Providence, RI. 

Performances: Evensong. Date of performances: 5 and 12 August 1995. Performed by: Chanticleer, Joseph Jennings, Conductor. Location: Basilica, Mission Dolores, San Francisco. 

1 9 9 4 

Performance: "Altissima" and "Amen" from Evensong (organ reduction by Peter Sykes). Date of performance: 2 December 1994. Performed by: Lesley College Collegium Musicum, Paul Cummings, Conductor. Location: Cambridge, MA. 

Performances: Music for the ballet Captured Angel (music entitled An Untitled Work for Guitars and Orchestra. Dates of Performances: 16-17 November, 1994. For: Ballet Eddy Toussaint. Choreographed by: Jill E. Bahr. Recorded work, performed by composer, except Robin Barr, oboe and english horn. Location: Sarasota, FL. 

Performance: Music for the dance Zerkolo: Mirror (music entitled Reaping and Thanksgiving Music. Dates of Performance: 11 July 1994. For: Beth Soll and Company. Choreographed by: Beth Soll. Recorded work, performed by composer except Heather Knutson, soprano. Location: Cambridge, MA. 

Performances: Music for the ballet Captured Angel (music entitled An Untitled Work for Guitars and Orchestra. Dates of Performances: 30 May - 7 June 1994 (6 performances). For: Charleston Ballet Theatre. Choreographed by: Jill E. Bahr. Recorded work, performed by composer, except Robin Barr, oboe and english horn. Location: Piccolo Spoleto, Charleston, SC. 

Performances: Music for the ballet Captured Angel (music entitled An Untitled Work for Guitars and Orchestra. Dates of Performances: 19-20 March, 1994. For: Charleston Ballet Theatre. Choreographed by: Jill E. Bahr. Recorded work, performed by composer, except Robin Barr, oboe. Location: Charleston, SC. 

Performances: Music for the dance Zerkolo: Mirror (music entitled Reaping and Thanksgiving Music. Dates of Performances: 4-6 March 1994. For: Beth Soll and Company. Choreographed by: Beth Soll. Recorded work, performed by composer except Heather Knutson, soprano. Location: Boston, MA. 

1 9 9 3 

Performance: Music for the dance Zerkolo: Mirror (music entitled Reaping and Thanksgiving Music. Dates of Performances: 27 August-5 September 1993. For: Beth Soll Solo Premiere at Festival on the Volga, Russia. Choreographed by: Beth Soll. Recorded work, performed by composer. Location: Festival on the Volga, Karoslav, Russia. 

1 9 9 2 

Performance: Music for the ballet Captured Angel, music entitled An Untitled Work for Guitars and Orchestra. Dates of Performances: 4 and 5 April 1992. For: The Eugene Ballet Company ("A Celebration of the Uncommon Woman"). Choreographed by: Jill E. Bahr. Performed by: Eugene Symphony Orchestra, Marin Alsop, conductor. Location: Eugene, Oregon. 

Premiere: Evensong. Dates of Performances: 7 and 9 March 1992. Performed by: Scott Metcalfe, Director, Baroque Violin; Heather Knutson, Soprano; Rob Dobson, Richard Duguay, Daniel McCabe and Art Rawding, Tenors; Owen Watkins, Baroque Oboe; Shira Kammen, Vielle, Viola da Gamba; Janet Haas, Carol Lewis, Lynn Tetenbaum and Emily Walhout, Violas da Gamba. Location: Lindsay Chapel, Emmanuel Church, Newbury Street, Boston. 

1 9 9 1 

Premiere: Music for the ballet The Wild Swans. Dates of Performances: 9-12, 15-19 May 1991 (12 performances). Commissioned by: Boston Ballet. Choreographed by: Jill E. Bahr. Performed by: Boston Ballet Orchestra, Jonathan McPhee, conductor. Location: The Wang Center, Boston. 

1 9 8 9 

Performance: Music for the ballet Hands of Wind (music entitled Reaping and The Red Skirt). Dates of Performances: 12-16 January 1989 (5 performances). Commissioned by: Monica Levy Dance Company, New York. Choreographed by: Monica Levy. Recorded work, performed by composer. Location: The Joyce Theatre, New York, NY. 

Performance: Music for the ballet Ghosts (music entitled An Untitled Work for Guitars and Orchestra). Dates of Performances: 12-15, 18-21 March 1989 (12 performances). For: Boston Ballet (Boston Ballet's 25th Gala Celebration Series). Choreographed by: Monica Levy. Performed by: Boston Ballet Orchestra, Jonathan McPhee, conductor. Location: The Wang Center, Boston. 

1 9 8 8 

Performance: Music for the ballet Ghosts (music entitled An Untitled Work for Guitars and Orchestra). Dates of Performances: 6-13 July, 1988 (5 performances). For: Boston Ballet (Concerts on the Common Series). Choreographed by: Monica Levy. Recorded work, performed by composer except Robin Barr, oboe and english horn. Location: Boston Commons, Boston. 

Premiere: Music for the ballet Ghosts (music for An Untitled Work for Guitars and Orchestra). Dates of Performances: 1 & 2 June, 1988. For: Boston Ballet (performance at Spoleto's "Dance in America"). Choreographed by: Monica Levy. Performed by: The Spoleto Festival Orchestra, Stanley Sussman, conductor. Location: Spoleto Festival USA, Charleston, SC.

Performance: Music for the ballet Hands of Wind (music entitled Reaping and The Red Skirt). Dates of Performances: Fall 1988 (2 performances). Commissioned by: Monica Levy for Dance Company of Lisbon. Choreographed by: Monica Levy. Recorded work, performed by composer. Location: Lisbon, Portugal.

Premiere: Music for the ballet Hands of Wind (music entitled Reaping and The Red Skirt). Dates of Performances: Fall 1988 (2 performances). For: Monica Levy for Transition Dance Company of London. Choreographed by: Monica Levy. Recorded work, performed by composer. Location: London, England.

1 9 8 7 

Premiere: Music for the dance Place of Ambush. Dates of Performances: 4-6 April, 1987. Commissioned by: Beth Soll and Company (10th Anniversary Concert). Choreographed by: Beth Soll. Recorded work, performed by composer. Location: Tower Auditorium, Boston.

Performance: Music for the dance Place of Ambush. Dates of Performances: 10-12 April 1987. Commissioned by: Beth Soll and Company (10th Anniversary Concert). Choreographed by: Beth Soll. Recorded work, performed by composer. Location: New York, NY.

Performance: Music for the dance Place of Ambush. Dates of Performances: Spring 1987 (3 performances). Commissioned by: Beth Soll and Company (10th Anniversary Concert). Choreographed by: Beth Soll. Recorded work, performed by composer. Location: Chicago, IL.

1 9 8 6 

Premiere: Music for the dance Memoir (music entitled Character Sketch). Date of Performance: Spring 1986. For: Beth Soll. Choreographed by: Beth Soll. Recorded work, performed by composer. Location: Paris, France.

1 9 8 5 

Performance: Music for the dance First Season (music entitled The Gulf). Date of Performance: 17 October 1985. For: Beth Soll. Choreographed by: Beth Soll. Recorded work, performed by composer. Location: Boston.

Premiere: Music for the dance First Season (music entitled The Gulf). Date of Performance: June 1985. For: Beth Soll. Choreographed by: Beth Soll. Recorded work, performed by composer. Location: Jacob's Pillow Dance Festival.