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ONTACT PATRICIA VAN NESS

Hear Patricia Van Ness's Music and Interview on WBUR and NPR®'s The Connection
"Cor meum est templum sacrum is one of our favorite songs to sing and to program.  It has created a transcendent moment on many of our sacred programs."
                                                            --Chanticleer


Composer, violinist, and poet Patricia Van Ness draws upon elements of medieval and Renaissance music to create a signature voice that has been hailed by musicians, audiences, and critics.  She has been called a modern-day Hildegard von Bingen (Gary Higginson, Music Web Uk; and Gaby Beinhorn, Suedwestrundfunk, Germany), with her ability to compose music "ecstatic and ethereal," "both ancient and new" (Gaby Beinhorn, Suedwestrundfunk, Germany; Susan Larson, The Boston Globe).  As in medieval aesthetics, her music and poetry explore the relationship between beauty and the Divine.


Patricia Van Ness's work has had an impact that is both local and global. She is Staff Composer for First Church in Cambridge, Massachusetts (Peter Sykes, Music Director) and has been an invited lecturer at Harvard University and Boston University. Her music has been commissioned, premiered, and performed by numerous musicians and organizations throughout the world, including The King's Singers (UK), the Heidelberg New Music Festival Ensemble, Chanticleer, Mannerquartett Schnittpunktvokal (Austria), the Celebrity Series in Boston, the Spoleto Festival Orchestra, Peter Sykes, Coro Allegro, and the Harvard University Choir. Her work has been presented in Rome and Assisi in Italy; the Musica Sacra Festival in Maastricht, Holland; and in halls and cathedrals throughout Italy, Austria, Finland, Germany, Japan, Hong Kong, Puerto Rico, Sweden, Latin America, Canada, Latvia, Russia and the United States.  She has been awarded residencies with the Boston Landmarks Orchestra and with Coro Allegro.


Ms. Van Ness has received numerous awards and grants, including the 2011 Daniel Pinkham Award from Coro Allegro (David Hodgkins, Artistic Director).  Europe's prestigious 2005 Echo Klassik Prize was awarded to the ensemble Tapestry (Laurie Monahan, Director) for their recording "Sapphire Night" with music by Hildegard von Bingen and and a nine-movement work by Patricia Van Ness, and Chamber Music America awarded "Album of the Year" to Tapestry's The Fourth River, containing two of Van Ness's works. 


Ms. Van Ness is currently composing new music for each of the 150 Psalms.  The texts are in English and Latin using the Psalter and the Liber Usualis.


Ms. Van Ness's music may be found on iTunes and other online stores; The King's Singers's From the Heart; Chanticleer's Sound in Spirit recorded on Warner Classics; on Telarc International Recordings's Angeli (Ensemble P.A.N). and The Fourth River (Tapestry); on MDG Classics's Sapphire Night (Tapestry); on In the Clearing, and somewhere i have never traveled, Coro Allegro; on Parma Recordings's In Paradisum (In Paradise), Coro Allegro; on Sing the Glory! and Glorious the Song, The Harvard University Choir (Edward Elwyn Jones, Choirmaster); Albany Records' A Marvelous Love, Carson Cooman, organ; Passionately Unconventional: Madrigals and Motets by Nuns of Bologna, Moderna, and Ferrara, Cappella Clausura (Amelia LeClair, Artistic Director); and  Advent and Other Music of the Liturgical Year, released by the composer. 


Her scores are available on her website (www.patriciavanness.com).  My Heart is a Holy Place is published by The King's Singers Choral Series, distributed by the Hal Leonard Corporation and available here.   Ms. Van Ness is a member of American Composers Forum, ASCAP, and the International Alliance for Women in Music.  She is a former member of the Board of the Cambridge Society for Early Music and currently serves on the Musical Advisory Board of Cappella Clausura (Amelia LeClair, Artistic Director).  She lives on the coast of Maine with her husband, Peter Marks.


Source of images:

Folios: 10 Recto and 13 Verso
The Remains of a Medieval Antiphon (14th century)
18 Leaves of A28904 in The Annmary Brown Collection.
Brown University Library
Project by Laura Saetveit, Class of 2003.

Used with permission.

COPYRIGHT© 2002 - 2013 PATRICIA VAN NESS